Young and feisty Gilly Hopkins devises a scheme to escape from her new foster home and reunite with her birth mother.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

A young girl learns the importance of reading, when she ends up in a dystopian future where reading is banned.

A celebration of the life and times of the actor Gerard Kelly, with contributions from his friends and colleagues. Gerard's career spanned nearly 40 years starting in 1973 at the age of fourteen, moved on to the hapless Willie Melvin in City Lights and culminated with the fabulous, outrageous Bunny in Extras. Among those appearing will be Richard Wilson, David Hayman, Les Dennis, Andy Gray, Jonathan Watson and Elaine C Smith.

An important client visits the law offices of Hopkins & Delaney LLP to discuss his copyright infringement suit.

An important client visits the law offices of Hopkins & Delaney LLP to discuss his copyright infringement suit.

Honda Goro the son of a famous baseball player loves nothing more than baseball itself. His biggest dream is to show his father that he can become the best pitcher in the world despite all the hardships he had to endure he keeps on running towards his goal at full speed.

This biopic follows the life of Indian Army officer Major Sandeep Unnikrishnan, from his childhood to his heroic actions during the 2008 Mumbai attacks.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.